for a short period in 1981 and with brand-new equipment such as roland 808, sh 101, gr 500, we made some 8-track just for fun jam tapes. mainly just to experiment for our own pleasure. from those sessions, only white horse made it to a final treatment. the rest of the material was left behind, as our record company at the time found it too different. after white horse being a track indeed defining our sound, we thought it would be interesting to dig out left-overs to fulfill a documentation of that period - crucial for us at the time. we were still innocent newcomers, without actually knowing to be creating a new sound! recently, that left-over material was transferred from analogue to digital and, to stay as true as possible to original intentions, we only added vocals, bass and drumbeats ahead of a final mix. we hope that you will enjoy listening to it. good vibes from laid back copenhagen 2012.

dieser ravige hardcore-style dominierte die 90er jahre und brachte stars wie westbam, marusha, charly lownoise & mental theo u.v.a. hervor! diese sagenhafte 3cd praesentiert nun 100 wahre klassiker des genres, von grossen clubhits bis zu den besten raritaeten - tight gemixt von dem hollaendischen urgestein dj buzz fuzz! eine zeitlose compilation, nicht nur fuer die raver der ersten stunde! sneakers & shorthose an und ab geht die party! 3 cds mit 100 tracks zum top-preis!

coole mischung aus drum & bass, dubstep, jungle u.v.m. neu auf hospital!!!!

unter dem titel listen to the music caltone 1966-1969 erscheint eine wunderbare zusammenstellung mit 21 rocksteady-perlen aus den jahren 1966-1969. erhŠltlich als cd mit einem informativen booklet und extra pappschuber, sowie als doppel-vinyl (inklusive abdruck der liner notes auf der coverrŸckseite) mit dem gŸtesiegel pressure sounds!

for over a decade, ray lugo has crisscrossed the globe bringing his punky afro grooves to countless audiences as leader and singer of new york powerhouse kokolo, a mainstay on the global music scene through their extensive discography and consistent touring.

the spring edition incl. brian may, nicki minaj, rizzle kicks, rihanna

electronic duo cage & aviary are set to release their debut album >migration< on prins thomass internasjonal imprint this coming january.part man,part machine,part cockatiel,cage & aviary take flights of fancy whenever they can.jamie paton is a dj,a one-finger keyboardist,and a pot-tickler.nigel of bermondsey is a musician,south londons finest oscillator,and a dedicated dabbler.together they are winners of the cosmic lottery.having put out releases to much acclaim on the ltd editions that are dissident distribution,cage & aviary have since spread their wings with releases on dfa, tiny sticks and astro lab.their own label,the walls have ears,is slowly carving out a reputation for quality dubbed-out dance music too - the cage & aviary remix series has met with great critical acclaim thus far,with the likes of andy blake,prins thomas,horse meat disco,mock n toof,bill brewster, tim sweeney, james murphy,tiga,erol alkan and other such luminaries counted amongst fans of their work!

from the golden beach of bali, goa and the balearics. this is beachclubbing,a heady, organic soundtrack of the very finest house music for a decidedly different clubbing experience. the alfresco party is nothing new. back when acid house was just a glint in the smiley faces eye, there was outdoor clubbing, a new and exciting expression of our primal urge to dance to a drum under the heavens. for centuries and even millennia, of course, tribal cultures around the world had been spinning wildly around fire, idol and one another without roof or shelter. in terms of pure, hedonistic, feel-good partying, there is nothing that quite compares to dancing with friends with the sun on your face and the sand between your toes. from the golden beaches of bali, goa or the balearics, this is beach clubbing, a heady, organic soundtrack of the very finest house music for a dedicatedly different outdoor clubbing experience.

2012 album from the british indie rock quartet. ester neatly combines elements including the dream pop of beach house, the sweet nocturnal melancholy of the xx and the sonic exploration of my bloody valentine to form an album that s streets apart from any of its contemporaries. it s a great achievement that from the first listen makes it apparent that a lot of people are about to fall in love with this band.

2011 three cd collection that contains the very best northern soul masters from the vaults of atlantic, atco, loma, reprise and warner bros records from 1965-74. this ultimate best of spans the legendary after hours series, picking the best, most funky, soulful and rare tracks to give the listener a truly authentic northern soul experience.

do you love elegant, sophisticated music with a feeling, as much as raw, gutsy, hard-hitting music? guessing that you do penniman records takes great pride in introducing you to the excitements, because their music fits into both categories. they are an all natural free-of-additives-and-preservatives r&b / soul band. a band with both feet solidly planted on memphis and detroit, and with a heartbeat which is pure chicago. to put it simply, the excitements are what the doctor ordered: six dynamite musicians intent on bringing out the very best from koko jean davis extraordinary voice, a voice which will either break your heart or astonish your ears, whatever koko fancies the most. the excitements career is truly awesome. their first gig took place in july 2010, and a month after that the band embarked on the first of their three recording sessions, their first spanish tour and a series of concerts all across europe. very few groups can boast of enjoying such a critical success, selling so many 45s and capturing such a loyal following in so short a time. their splendid first album, -the excitements- available on vinyl and cd - has been produced by the great mike mariconda - the only living man with a direct connection between his ears and his crotch. hearing is believing, and koko and her partners are bound to mesmerize with numbers such as nathaniel mayer s -from now on-, barbara stephens s -wait a minute- and little richard s -never let you go-, a track which will go straight to your heart. you may call them old-fashioned. a classic sound, if you wish. one thing is clear: the good stuff is here to stay. stop reading, listen to the excitements and hear for yourself.

3x cd set with pumpin uplifting ibiza house

excellent deep house

summer 2011 feat. jason derulo, rihanna, mann, nicole scherzinger, black eyed peas, dev.lmfao, usher, chris brown & loads more...

40 massive r& b hits inside !!!

austin-based vvv is one of a new wave of garage producers whose music actually feels like an honest mixture of vintage and modern touches, rather than a trend-hopper looking to capitalize on a few dubstepforum fruity loops tutorials. he s an artist who happily mixes and matches signifiers, lacing his productions with subtle streaks of colour and leading them into unexpected detours. over the course of across the sea vvv swings from gleeful todd edwards-style vocal mush (-aisle seat-) to sepalcure-esque house-tinged workouts like -retreated- to more experimental fare. on tracks like -stuck between- or the stumbling punch-drunk jungle of -duration of light-Ñwhere breaks crash through filtered soul samples and cause ripples like dominoesÑhe always keeps the tracks backbone intact while doing some of the weirdest things to bass music youll hear this side of machinedrum. across the sea doesnt have the same visionary outlook as room(s), but it shares that albums embrace of fine-tuned sequencing and development. the tender, reflective moments that occasionally pop up are its best, whether its that memorable opener or the fogged-glass beats of -among the whispers,- which admittedly sounds a little like burial but higher-definition, with high-strung chords recalling netsky more than untrue. the albums closer -all that weve been through- nicely sums up the proceedings, throwing an out-of-context piano on top of another burial-esque beat loaded up with reverb yet still cutting clear as day. its perfectly representative of vvvs aesthetic: his debut album isnt always made up of entirely original ingredients, but like any good chef, he knows how to present it in a way thats irresistibly appetizing.

for three years - that is from the very beginning of absys coming to life - weve been concerned with shaping the profile of our label, concentrating mainly on the originality of sound, thus supporting both native (poland is a country of great potential and to show it is part of our mission), as well as foreign upcoming artists. after some time we can say that the path weve chosen is right.so, mystical deep vol 2 is kind of an essence of absys records and at the same time the twin of its predecessor - mystical deep. we present to you an extrasensory journey into the very centre of human mind. this journey will be mysterious, atmospheric, dubby, futuristic and - of course - set in the core of depth, but still, despite the featured diversity, will also be coherent and consistent. we hope that this compilation of music, associated by beautiful artwork, will be a good mood enhancer - not only in the autumn cloudy and rainy days.

this collection documents the two-decades-plus recording career of r&b icon luther vandross. even before he started putting out records under his own name, he was a first-call session singer (hes the one who created and sang the chorus hook on david bowies -young americans,- for just one example). throughout the 80s and the 90s, he was (both commercially and aesthetically) one of the most consistently successful r&b singer/songwriter/producers. this healthy two-disc selection of highlights from the impressive vandross catalogue moves deftly from heartfelt ballads (-a house is not a home-) to percolating, poppy numbers (-never too much-), spotlighting the mans mellifluous voice and tasteful phrasing at each turn. this is quite clearly the definitive career summary for this deeply influential r&b titan.

deluxe edition - includes previously unreleased tracks...

legendary bournemouth-based trio aquasky return with their 8th studio album raise the devil featuring 16 bass-heavy party tracks which include guest vocals and collaborations from lee mortimer, engine earz experiment, daddy freddy, ragga twins, tenor fly, mr. thing, pyramid, acafool, deja, roisin brophy, didjelirium and bex riley. this album sees the trio take it back to basics and return to what people expect when they hear the name aquasky! having been solid friends since the heady days of rave and acid house, the guys first hit the studio together during the jungle era and in 1995 aquasky was born, signing immediately to moving shadow before going onto release on some of the biggest and best labels including polydor, botchit & scarper, reinforced, good looking records, hospital, southern fried and mr. bongo. in 2001 they took the decision to launch their own imprint passenger as a place where they had free reign to unleash their full creativity and develop both their sound and the sounds of other acts.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj / produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

when david essex sang -gonna make you a star-, he knew what he was talking about because he d already been there. and -the best of david essex- showcases his star quality to perfection, delivering all of his smash hits from the seventies, including -hold me close-, -rolling stone- and the classic -rock on-. a superstar from a golden era of pop.

mysteryland takes place saturday august 27th at the beautiful fields from floriade. with a total of 18 areas mysteryland can be considered as the largest dance festival in the netherlands. the mother of all dance festivals is still leading after more than seventeen years! this mixed double album gives a good reflection of the music and line-up of this year s edition. where cd1 contains the more popular dance styles, big name artists and club hits, cd2 takes you to the more underground and edgy side of the festival. so whatever your taste is , this mixed compilation gives you a little piece of mysteryland 2011 not to forget.

super dj afrika bambaata with a >death mix 3< plus 8 tracks !

gits album -imagination- could be described as an experimental design with roots in underground hip hop. gits musical style may be hard to pin point. his love of drums set the foundation for his sound: driving, percussion heavy productions anchored in traditional hip hop, with an experimental streak. his sound has many flavours and is not to be boxed in one label. one of the goals of this album is to fill the void that pop music has left. -imagination- will remind us that talent and emotion can still be found in music today and one not always needs a million dollar budget to make good music. if you like music that is raw, pure and speaks from the heart then you will love this project.

five classic artist albums in wallets housed in a new slipcase. nice and simple, no frills just great music! includes circle of love (1975), together (1977), we are family (1979), love somebody today (1980) and all american girls (1981).

nikki beach mixed by atfc is the second in a series of album collaborations between the worlds leading independent house music label and one of the most exclusive and surprising clubs on the planet. compiled from breathtakingly up-front material, atfc pulls in brand new cuts and remixes from ben westbeech, noir, osunlade, green velvet and ame as well as dropping two of his own tracks yet to see the light of day.

loud follows-up rated r (november 2009) and its sequel rated r: remixed (may 2010). previously, the double-platinum good girl gone bad (may 2007) contained the grammy-winning global 1 hit -umbrella- (featuring jay-z), then -shut up and drive,- -hate that i love you- (featuring ne-yo), and -don t stop the music.- the cd+dvd package good girl gone bad: reloaded (january 2009) continued the hits with the 1 -take a bow,- the 1 -disturbia- and top 20 -rehab.- good girl gone bad was the third album release in less than two years by barbados native rihanna, who turned 22 on february 20th. it followed-up 2006 s riaa platinum a girl like me, which contained the back-to-back hits, -s.o.s.- and -unfaithful-: and her riaa gold debut from 2005, music of the sun, featuring the world-wide smash, -pon de replay-.

great versatile album cd. tini rocks as we like it! decks tipp

5 cd set includes the albums, chic (1977), c est chic (1978), risque (1979), real people (1980) and take it off (1981).

good price for good music! these words are in the deepest part of douglass greed and the approach to his debut album. he allows his heart to lead, the better to look where it goes. therein he s distributing straight dope, however, in the sense of emotional impact Ð dance floor dictation it is not. greed crafts music that serves up euphoria for your mind on the terrace, mas- sage table, train or car trip and so on. a timeless effect stretches along the borders... an enduring touch, and to remain in the mind for seasons to come is his concern with this album. this is more weeping or laughing in the mirror rather than admiring the physical. douglas discusses not the luxurious but rather simplicity, in order to serve a sophisticated author-future-popfor the club under the bedspread. his fondness for other forms of musical self-realization shimmers on all of his releases up to now. on his own album, he expresses this passion to the fullest. the inclination for sensible beauty in the dark plays as the greed signature, a central role. featuring musician friends such as mooryc (poznan /polen), pascal bideau (a frenchman in london), kemo (a ger- man-hawaiian in new york), ian simmonds (uk) and delhia (jena), greed casts twelve expressive pulse beats of pure greed cosmos

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

from their pioneering work as part of the basement boys, remixing and producing artists from michael jackson to ultra nate, through to their success as solo artists, dj spen and karizma are the undisputed leaders of the baltimore house movement. twenty of their very finest productions are presented here, including three brand new & exclusive remixes from these charismatic, unpredictable and completely unique masters of their craft.

nach digitalism & phoenix praesentiert das heissegehandelte, brasilianische dj-duo the twelves mit der neuen folge der mixserie -kitsune tabloid- einen definitiven anwaerter fuer das mixalbum des jahres! beruechtigt fuer ihre remixes, u.a. fuer m.i.a., la roux, aber auch fuer nirvana(!) und die beatles(!), liefert das dj/produzenten-duo the twelves aus rio de janeiro ein erstklassiges mixalbum auf dem pariser label kitsune ab. das tracklisting ist eine grandiose selektion aktueller trendsetter von siriusmo ueber juan maclean und daniel wang bis zongamin, dem aber ein feuerwerk an bislang unveroeffentlichten, exklusiven the twelves dubs ihrer juengsten remixes fuer solch angesagte hochkaraeter wie munk, metric, two door cinema club, french horn rebellion oder black strobe vorangeht. ob nu-disco, retro-house oder der ganze rest, the twelves bringen den funk zurueck auf den dancefloor! the twelves -kitsune tabloid- hat das zeug zum mixalbum des jahres!

in watch me dancetoddla t has created a dubwise, street-soul masterpiece, and to ensure it was everything toddla envisaged it could be he s carefully selected an impressive line up of friends, peers and musical icons to guest vocal, co-produce, remix, co-write with him on the album. names including previous collaborator roots manuva, fellow dj, producer and remixer skream, ms dynamite, ross orton, wayne marshall, timberlee, roisin murphy and shola ama.

53 tracks on 2 cds!

ein super album zwischen krachkapelle und indie-rock-kombo des trios aus columbus, ohio usa stellt eine kleine zŠsur in der bisherigen laufbahn von times new viking da. es ist das erste mal, dass die band ein studio fuer die aufnahmen vom neuen werk dancer equired aufgesucht haben. doch statt die Ÿblichen wege ihres diy-geistes aufzugeben, besinnen sich jared phillips, beth murphy & adam elliot auf ihre staerken und treiben so den sound voran ohne dabei auf das times-new-viking sche scheppern und krachen zu verzichten.

little nobody Ð in fact australian expat andrez bergen, whos been based in tokyo these past 10 years Ð then decided to ask justin robertson (lionrock) to remix. while counting on robertsons experience rebooting bjšrk, happy mondays, fatboy slim, luke slater and felix da housecat, andrez is also a long-time fan and suspected the mix-master would have an absolute field day here Ð which he apparently did, giving the ingredients a good hearty shake and delivering a concoction that stunned everybody.

yuri mendez jr. has an amazing gift for composing good songs. he arranges them and records them brilliantly, and then groups them together on an album in an unpredictable yet cohesive way (his last album had 22 tracks. this one only has 8). uri mŽndez jr. is a true artisan in the best sense of the word. this is pajaro sunrises third album, and although the essentials havenÕt changed (good songs, great songs), the rest has certainly evolved. yuris voice sounds more and more emphatic, and with an extensive register full of nuances, he sings a story in every song. in doing this, he covers a stunning vocal range that dazzles from the first listen. yuri has been playing together with the same fantastic band for some time now. with them, he has rehearsed the tracks (many of which they were already playing in concerts), and then gone into the studio where almost everything was recorded with everyone playing live. the benefits of having a group that has already travelled together, as well as shared stages and life experiences are evident. and, if this disc breathes anything, its travel, highways, and familiar stories stolen from faraway places that also feel nearby. its a grandiose yet intimate album that thrills and grows with each listen.

om records 2011 with summer sessions 5 !!

derrick morgans recording career spans over five decades, starting with smiths in the late 1950s with mainly r&b style output. in the ska era of the early 1960s he moved on to work with producers: duke reid, prince buster, leslie kong, c.s. dodd (studio one) and later in the 1960s and into the 1970s, with the ubiquitous bunny lee. during this time, many of his own productions were also released, this compilation features ska productions from the 1960-1966 period. the lp has been re-compiled, re-mastered and has new art-work. it features the best tracks from now deleted 12 inch lp rrtlp 06 and concentrates on obscure and hard to find sides.

der aus sizilien stammende und auf jamaika residierende alborosie aka alberto d ascola, prŠsentiert sein zweites album fŸr greensleeves! nach der >escape from babylon< wird jetzt nŠgel mit kšpfen gemacht und die revolution gleich doppelt angegangen - nicht ohne augenzwinkern, aber auch mit dem nštigen ernst thematisiert alborosie was unsere welt derzeit in atem hŠlt. die cd kommt mit 16 tracks und hat Ÿber 50 minuten spielzeit, eine ganz spezielle reise durch die urbanen dschungel & gedankenwelt unserer zeit an der keiner vorbei kommt - brilliant!

the number 1 album, incl the singles rehab, im no good, back to black... uk edition (incl 11th track addicted)